CFP: BIPOC Female Detectives – Theme Issue of Clues, A Journal of Detection (Deadline: 30 April 2023)

BIPOC Female Detectives:

Theme Issue of Clues, A Journal of Detection

Guest Editor: Sam Naidu, Rhodes University, South Africa

Seeking to illuminate an often marginalized space, this Clues theme issue will focus on female detectives who are BIPOC (Black, Indigenous, People of Color); span eras, genres, and geographical locations; and appear in texts, TV programs, films, and other media. Of particular interest are intersections among race, indigeneity, gender, age, class, or sexuality in these works, as well as projects that center BIPOC authorship and scholarship.

Some Suggested Topics:

  • BIPOC female detective figures in African and Asian crime fiction, such as in works by Leye Adenle, Oyinkan Braithwaite, Angela Makholwa, and Jane De Suza.
  • BIPOC female detectives in hard-boiled and traditional mysteries that might include characters such as Carolina Garcia-Aguilera’s Lupe Solano, Eleanor Taylor Bland’s Marti MacAlister, Leslie Glass’s April Woo, Sujata Massey’s Rei Shimura and Perveen Mistry, Marcia Muller’s Sharon McCone, BarbaraNeely’s Blanche White, S. J. Rozan’s Lydia Chin,  Valerie Wilson Wesley’s Tamara Rayle and Odessa Jones, and Paula L. Woods’s Charlotte Justice.
  • BIPOC female detectives in film and television series such as Get Christie Love! (1974- 75, TV movie 2018), Angie Tribeca (2016), and Black Earth Rising  (2018).
  • BIPOC female detectives in comics/graphic novels such as Storm and Misty Knight of Marvel Comics, Martha Washington of Dark Horse Comics, and Vixen    of DC Comics.
  • BIPOC female sidekicks such as Janet Evanovich’s Lula, Elementary ‘s Joan H. Watson, or BIPOC detecting teams such as those in Cheryl Head’s Charlie Mack series or Ausmat Zehanat Khan’s Inaya Rahman series.
  • BIPOC female detectives of male authors such as Kwei Quartey, Deon Meyer, and Alexander McCall Smith.
  • Analyses of historical BIPOC female detectives in crime fiction such as in Fergus Hume’s Hagar of the Pawnshop (1898) and Pauline E. Hopkins’s Hagar’s Daughter (1901).
  • Analyses that queer the BIPOC female detective, or examine the intersections between gender and sexuality in these works.
  • Relationships  between BIPOC female detectives  and criminals/criminality.

About Clues: Published biannually by McFarland & Co., the peer­ reviewed Clues: A Journal of Detection features academic articles on all aspects of mystery and detective material in print, television, and film without li1nit to period or country covered. Executive Editor: Caroline Reitz, John Jay College/The CUNY Graduate Center; Managing Editor: Elizabeth Foxwell, McFarland &  Co.

For more information, please visit the Clues website.

Categories: Non ACCUTE CFPs

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